Boom boom

Amanda Mccavour

I am overwhelmed

She sews into fabric that dissolves in water, leaving just the threads behind, (re)creating a living room and hung from the ceiling. Wow.

I've been thinking about the hidden, the missing, and the things left behind lately and this is a perfect example. Enjoy!

more can be seen here // I found her through poppytalk

Wait

Narrative is so important in a body of work. I've been in "making" mode lately and instead of inundating myself with images of artists online, I've focused on stories. Reading a good book or story or resonating quote pushes my desire to make and helps me forget my desire to stop. think. rewind. rethink.

 Dostoevsky's Notes from the Underground.
I've read it what seems to be one thousand times. It's my go-to book and something that continually invigorates me as a "maker".
 

"Twice two's four watches smugly, stands in the middle of your road with his arms akimbo, and spits. I agree that twice two's four is a marvellous thing; but to give everything its due praise, twice two is five can also be a very nice little thing." -Dostoevsky

Currently, I'm reading two fantastic stories (really):

 

Is there anything to say about these? I'm not sure. 

Nice day for a

After a month of solid wedding planning that I refuse to bore my few readers with, I am back. I bring you, Michelle Ramin.

I'll admit it. I'm a little infatuated with her figurative and architectural works. 

Patterns. Realism. Familiarity. More patterns. And detailed line work. 

I like their feel. I both like and dislike that it's art I'd put in a house. I like what's missing and I like what's given. They remind me of every street I've ever seen, the way they seemed in memory, the way my house is purple in my head but in reality it's a pale purplish hue.

They're frozen and in motion, colorful and not overwhelming, detailed and sparse. Enjoy.